Has anyone else read this book? It's interesting, if a little too technical for me. There are a few short chapters on tenors of the early years of recording, of which the Tamagno chapter is the most interesting. Most of the book focuses on mid twentieth century tenors, with Corelli's radio interviews providing a jumping off point. Here's the blurb from the publisher's website, in case anyone is interested: Franco Corelli and a Revolution in Singing: Fifty-Four Tenors Spanning 200 Years, v [...]
discussion: Talk classical
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